Mary: The Summoning Book 1

Monahan, Hillary.  Mary: The Summoning.  Disney Hyperion, Sept. 2014

Horror isn’t usually one of my favorite genres, simply because too often it seems silly rather than scary or trite rather than original.  And Mary: The Summoning could have easily fallen into either the trite or silly category, based as it is on the premise of the Bloody Mary urban legend/slumber party game.  But it doesn’t.  Instead, author Hillary Monahan takes her source material and weaves a tale that is genuinely creepy with characters who are authentic, interesting, and relatable.  Mary is one of the most intriguing examples of young adult horror I’ve read in recent years.

Shauna, the story’s narrator, is a part of a group of four high school friends who are encouraged/cajoled/badgered by group leader Jess McAllister into attempting to summon the ghost of Bloody Mary in a bathroom mirror.  Like Shauna, Kitty and Anna are somewhat reluctant but intrigued, and the attempt is made.  And, to their great surprise, Bloody Mary herself appears in the mirror.  Be careful what you wish for, they say, you just might get it. 

But once isn’t enough for Jess.  “It was supposed to be a cool thing,” Jess says later, “but it went weird.”  Weird is an amazing understatement for the horror that Shauna’s life quickly becomes.

The next summoning attempt is both a success and a disaster.  Mary appears again, but this time she is stronger and much more dangerous.  Shauna is more than physically hurt when Mary escapes the mirror; she’s haunted now, by an angry specter that can appear anywhere there is water or a reflective surface.  And she not only wants Shauna; she wants her to suffer…and everyone she knows is suddenly at risk.  And Shauna is desperate for help, and answers. 

But Monahan is careful to make Mary more than the villain of the piece.  How did this young woman from nineteenth century New England become the monster in the mirror?  And if Mary died in 1864, why do the legends of her hauntings not begin until the 1960s?  Letters written by Mary to her sister, letters about a young girl bullied and abused by the church pastor and others in the church, offer glimpses of a sweet young heart driven to madness, perhaps even dreams of vengeance?  But how did Mary die?  And where does her power come from?  Like Shauna, the reader needs the answers, needs to understand how this could come to be.  Is Mary a demon or a victim?  And can solving that mystery help Mary, and Shauna, find peace?

Mary is brilliantly paced; the story moves quickly as events unfold in a few short days.  Supernatural horror mixes seamlessly with teenage relationship drama, family relationships, and negotiating high school.  Shauna is an excellent narrator, an authentic teenage voice trying to hang on to sanity in the midst of a situation which makes no sense, but which must be endured and raged against if she wants to survive.  The supporting cast – Jess, who is keeping secrets that may prove deadly; Anna, quick to blame and anger, but still willing to fight to help Shauna; Kitty, distracted by her on and off relationship with football hero Bronx but firmly on Shauna’s side; and Cody, the last girl/woman to successfully summon Bloody Mary, whose willingness to help is tempered by a fear of Mary reattaching to her own life – all surround Shauna with actions and opinions that both help and hinder her fight to find the answers that will free her from Mary’s bony grasp.   

If I have a complaint about this novel, it’s the fact that it doesn’t end; it just stops.  Yes, I realize that the Book 1 subtitle implies that it’s part of a series.  I like series.  But, I like authors who write series books like J. K. Rowling.  I like books where each volume is both a complete story AND part of the larger story arc.  As a reader, I need a sense of resolution, some kind of closure to feel the author gave me at least part of the answer.  Cliffhangers annoy me on television, but they’re worse with books because book 2 may be a year or more away.  That’s a long time to wait for resolution, especially since book 2 may lead to book 3…or book 7. 

But, I confess I will be eagerly watching and waiting for Book 2, because I do want to know what happens next.  Monahan convinced me to emotionally invest in her story and her characters, not merely Shauna and her friends but in Bloody Mary too.  I want to know what happens next, and that, in my mind, is the proof of a story well-told.

ARC received from NetGalley.

Bombs Over Bikini

Goldsmith, Connie.  Bombs Over Bikini.  Twenty-first Century Books, 2014.

For most children and teenagers today, the drama of the Cold War and fears of imminent nuclear war are mostly just historical mumbo-jumbo.  Even harder for them to understand are the terrible fearful immediately post-war years, when the US and the Soviet Union were locked in a feverish race for better and more deadly weapons, explosive power that would make even the bombs dropped on Hiroshima and Nagasaki seem insignificant.  In Bombs Over Bikini, Connie Goldsmith helps to make that time, and the consequences of the combination of fear and arrogance, real for today’s youth by focusing on the Bikini Atoll bomb tests and the terrible damage done to man and land alike by men playing with forces that they had no hope of understanding or controlling.

Careful to keep the likely age of her readers in mind, Goldsmith is nevertheless frank as she expounds on the actions of the American navy and its associated scientists as they exploded a series of ever more powerful atomic bombs on Bikini and surrounding atolls.  Photographs give life to the naval authorities, common sailors, and island peoples, even the animals who too were victims of the bombs tests as Goldsmith details how many were exposed to horrific levels of radiation both during and after the tests.  Inset boxes within the texts offers additional information on key individuals or further explanation of mentioned topics.    Chapters are short and the narrative accessible; the book is carefully paced to keep the reader engaged and to prevent the boredom often associated with reading history textbooks.  Footnotes, a rich bibliography, glossary, and suggested list of additional resources confirm the veracity of Goldsmith's text and encourage the reader to explore the topic further for greater understanding of the American nuclear program, the dangers of radiation and radioactive fallout, and the peoples of the Marshall Islands.

History classes, in my experience, often fail to address America’s failures and mistakes at both the national and international level.  Books like Goldsmith’s are important for young readers because they shine a light on the darkly shadowed elements of our history that we would perhaps be happier to forget, but which must be known so that they cannot be repeated.  Bombs Over Bikini is a brilliant introduction to this sad chapter of American military and scientific history, a straightforward condemnation of the indifference with which the people of the Bikini Islands have been and continue to be treated by the US Government, and a warning for those who would pursue knowledge without careful consideration of both the current and future dangers.  

ARC received from NetGalley.

The Merman and the Barbarian Pirate

Berrisford, Kay.  The Merman and the Barbarian Pirate.  Less Than Three Press, July 2014.

I admit it; I picked up this book because I thought the title was hilarious (still do, for what it’s worth).  I was expecting a cheesy, but hopefully very hot, bodice-ripper of story, possibly with some interesting human/merman naughtiness. 

And I was wrong, brilliantly wrong.

Kay Berrisford’s novel is a fabulous combination of coming of age, romance, and adventure.  Raef is an innocent young merman, raised by a single mother on fairy tale love stories, stories where lords are good, pirates are bad, and lovers live happily ever after.  Forced to leave his mer tribe when love is outlawed and arranged marriage required, the romantic-minded Raef seeks out the coast of England, searching for the human lord to be his perfect love.  When he spots the handsome young Lord Haverford on the beach one night, Raef is sure he’s met the man who will make his dreams come true.  But his plans to show himself to his would-be lord are disrupted by an attack by the feared pirate Jon Kemp, who not only ruins Raef’s intended rendezvous but forces him to reconsider everything he thought he knew about lords and about pirates.

Jon Kemp, on the other hand, is bored and jaded, a successful pirate who has lost interest in treasure and instead has become a kind of Robin Hood, using his skills at banditry to help the weak gain justice against the strong.  A love-em and leave-em type, uninterested in commitment despite his fondness for love poetry, Kemp has no desire for a relationship, certainly not one with an innocent and mysterious young man who might stand in the way of his current quest for justice against Lord Haverford.

Berrisford takes her time, and that slow build-up gives Raef the chance to grow up and the reader the time to care about his happiness.  Raef starts out as an almost annoyingly innocent young man, the male version of the princess in the tower who has never experienced life other than through books and stories, desperate to find someone who will give his life meaning and completeness.   But the as story builds and Raef begins to develop his own sense of personhood, to build relationships with people rather than fantasies, and to stand up for himself against those who would control him, he becomes his own champion, and in that he is able to become a champion for others as well.  

  

And Berrisford does not sacrifice her story for erotic fan service.  Instead, romance and adventure share the center stage, and Raef’s relationship with Kemp develops slowly rather than merely exploding in instant sexual contact.   Little details give the story both unexpected depth as well as a sense of realism.  Raef’s confusion when faced with the realities of being human – clothes, whiskey, even sexual arousal – perfectly captures the oddness of trying to be something you’re not, and Kemp’s wonder at his lover’s mer form seems natural for a man who has spent his life at sea and long heard legends and stories of the sea folk.  With an interesting supporting cast, a well-drawn villain, and some excellent swashbuckling adventure mixed with delicious eroticism, The Merman and the Barbarian Pirate is a delightful read, perfect for beach or poolside.  For readers who prefer plot to porn in their romance, this sea story is an unexpected pearl. 

ARC received from NetGalley.

Saddle Up for a Naughty Ride

Chase. L. C.  Let It Ride.  Riptide Publishing, May 2014

I loved L. C. Chase’s Pickup Men (see review here), and I was definitely excited to see that she’d added to this series with Let It Ride.  Pickup Men introduced Kent, Marty, and Bridge…a trio of rodeo cowboys bound together by a lifelong friendship…one totally straight, one openly gay, and one who might be somewhere in the middle.  Pickup Men was the story of Marty and his cowboy lover Tripp Colby; Let It Ride is Bridge’s story. 

Like Marty, Bridge Sullivan works the rodeo circuit as a pickup man, corralling the animals after the competitors ride.  Bridge is mostly straight, he thinks.  He has one gay relationship in his college past (that his friends don’t know about), but he’s dated women since then, and he’s been mostly happy that way.  But, then he meets newcomer Eric Palmer, a gorgeous paramedic who has left the city behind to work the rodeo circuit.  Eric makes Bridge want things he’s not sure he can have, but never let it be said that the cowboy is afraid of a challenge.  But Eric has demons of his own, demons that may be harder for Bridge to wrangle than your average bucking bull or bronco…

Eric Palmer is New York born, but he’s fled the city and his own rocky past to start a new life among the rodeo cowboys.  Marty’s injury on the circuit introduced him to this tight-knit group of friends and gave him his first real taste of acceptance and relationships when the boys welcomed him into their comradery.  Eric is willing to acknowledge his attraction to the handsome and charming Bridge, but he’s not sure he wants to risk his new life and friendships on a cowboy who might just be experimenting on the wild side.  But it’s hard to keep saying no when Bridge seems to be offering everything he’s ever wanted…

Let It Ride lacks some of the drama and depth of Pickup Men; the only thing standing between Eric and Bridge are their own secrets and issues, not the violence and injury that threatened Marty and Tripp, but that’s not a bad thing at all.  More romance than social commentary, Let It Ride is deliciously sexy and unexpectedly sweet.  Indeed, its contrast to the darker Pickup Men moves the series forward nicely.  Every romance may have its challenges, but sometimes those challenges are more within than without.  Let It Ride unfolds at a steady pace, keeping the reader emotionally invested and eager for a happy ever after.  Bridge and Eric’s journey is perfect for beach or poolside, or any reading time requiring romance and plenty of hotness.  Plus, Chase introduces newcomer Cory Ackerson, who features in the third volume of this series coming in the fall.  I can’t wait.

ARC received from NetGalley.

Sorry the absence, but

So, it's been a while since I managed to review here.  Life sort of got away from me, and I added reviewing for another site to my list of things to do.  But, I'm back and eager to work on getting a more regular reviewing schedule happening here.

In the meantime, if you want to see the graphic novel reviewing I've been working on, check me out at No Flying, No Tights.

Things That Go Bump in the Night

Stroud, Jonathan.  The Screaming Staircase: Lockwood & Co. Book One.  Disney Book Group.  September 2013.

I picked up this book, I confess, because I loved Stroud’s Bartimaeus Trilogy, and I was hoping for something in a similar vein.  And there are certain similarities.  The story is set in an alternate England, one in which the supernatural is normal, or at least expected.  The main characters are young, adolescents with exceptional and preternatural gifts.  And the adults whose lives intersect with those of Stroud’s young heroes are often antagonistic; certainly they are not helpful or supportive.  Indeed, the book’s narrator, Lucy Carlyle, her boss, Anthony Lockwood, and colleague George Cubbins must battle not only the ghostly Visitors who infest London and Britain, but against an adult world which tries to control how and when they can use their gifts.   

But it is the differences between this new series and Bartimaeus which are perhaps most compelling.  Missing is the wonderful snark that Bartimaeus himself provides the reader with his footnoted commentaries.  That trilogy, for all its action and moments of horror, is funny.  And it is/was that humor that made me such a fan of Stroud’s previous work.  The Screaming Staircase does have flashes of that wonderful humor, often in Lucy’s thoughts about her boss and George's commentary on life in general, but overall, it is definitely more horror than comedy.

And that is no way a criticism.  Indeed, I was reminded more of Rick Yancy’s Monstrumologist series (which I also love) than Stroud’s earlier works, though I must confess there is much less bloodshed here.  From the Lucy and Lockwood’s first encounter with an angry Visitor to the group’s terrifying night in one of England’s most haunted residences, this book is legitimately, absolutely must keep reading horrifying in the best sense of the word.  The adult reader knows, logically anyway, that if a book is marketed as first in a series, the heroes must survive to see the story through.  But, J. K. Rowling showed us that not all the heroes must or do survive, that main characters can be sacrificed for the greater good.  Stroud keeps the pages turning, through twists and tangles until the dramatic climax is reached.  And, like Rowling, he both gives the reader a sense of both resolution and anticipation, closing the chapter of this particular episode while also setting up a continuing story arc to tease the reader with the next possible adventure.

Interesting, likable, and multidimensional characters with potential for continuing growth combined with a deft touch at world-building makes this first in a series novel a definite winner for both teen and adult readers.  And while the male/male/female friendship triad has become a common one in young adult fiction in recent years, Stroud's characters do not fall easily into that kind of trusting dynamic.  Instead, their relationship(s) are ones in which everyone has secrets and bonds are slow to form, even as they face ghosts and death together.  Competition, ego, disparate personalities, and those secrets conspire against Lockwood & Co, but slowly they do begin to realize they are stronger together than they are as individuals.  The Screaming Staircase offers a hint of the kind of power team this oddball group could become;  I find myself already impatiently waiting for whatever adventures will next befall Lockwood & Company.

ARC received through NetGalley.  

Cowboys and Secrets, Oh My!

Chase, L. C.  Pickup Men.  Riptide Publishing.  July 2013.

Brokeback Mountain with a happier ending?  Well, not quite.  Tripp Colby and Marty Fairgrave may be gay cowboys, but that is where the similarities stop.

The child of successful dude ranchers set to take over his family’s ranch someday, Marty Fairgrave is the sowing some wild oats on the rodeo circuit, experiencing some action and excitement before he settles down someday.  His job as a rodeo pickup man is to help capture the bulls and broncos after a cowboy rides.  Marty is well-known on the circuit, the “gay pickup man” in a sometimes hostile macho environment.

Tripp Colby is rodeo royalty, a three-time PBR champion with the rodeo world at his fingertips.  He’s also a man with a secret that threatens to destroy him.  But the burden he carries isn't merely his after-hours, under-the-covers relationship with Marty Fairgrave, but something much darker. 

Against his own ideas and beliefs, Marty has been Tripp’s secret for a long time, accepting Tripp’s unwillingness to come out despite hoping that someday Tripp will publicly stand at his side.  But when Marty throws himself between a Brahma bull and Tripp and Tripp stands aside, Marty’s forced to realize that sometimes love isn’t enough.  He deserves more than shadows, and he’s willing to walk away from Tripp to find someone willing to stand with him in the light. 

For all his accomplishments in the rodeo ring, Tripp Colby knows the truth about himself.  He’s a coward, afraid of publicly acknowledging not only Marty but the truth about himself.  Even if he wants to come out, scars on his spirit from a bitter past keep him hidden in the dark.  But when he is forced to face the real possibility of losing Marty, not only to his own fears but to another man, can Tripp dig deep to find the courage to face not only his secrets but his past?

The road to happily ever after is rarely smooth.  But this journey is filled with interesting characters, and unlike some novelists, Chase does not allow her supporting cast to be mere cardboard figures.  Kent and Bridge, Marty’s partners in crime, Eric, the hot new paramedic on the circuit, and Scott, Tripp’s competition and the embodiment of the macho cowboy world, are all given development and depth.  They are active parts of the story, not merely props in Marty and Tripp’s play.  Nor are Marty and Tripp the cowboys one might expect in an Eastwood spaghetti Western, but unique individual with their own demons, their own follies, and their own love.

In addition to her wonderful characters, who are so easy to fall in love with, Chase uses Marty and Tripp’s story to make important points about the dangers of conversion therapy, the damage effects of lying – to yourself and to others, and the healing power of forgiveness and love.  Pickup Men is sweet, provocative, hot, and uplifting.  And, it’s the first in series set in the rodeo world.  I admit, I can’t wait for the next installment to see Chase’s cowboys continue their story.

ARC received through NetGalley.